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Organic shapes furniture1/22/2024 Pioneering Miró's biomorphic approach, the work was his first truly Surrealist painting. His red and blue face stares out at the viewer, while a hole in his stomach perhaps reflects the artist's own hunger, as he described coming home after a day of no food and creating the painting in a kind of automatic trance. ![]() The title's harlequin stands at central left, identifiable as the stock character in the Italian commedia dell'arte by the black and white checks on his "torso." His body is shaped like a distorted guitar, as, wearing an admiral's hat and sporting a pipe and a long swirling mustache, his whimsical appearance is belied by his sadness. Many Biomorphic artists believed that the intuitive process of organic abstraction in art was an essential vehicle, via which one could arrive at the great elemental truths of existence, fortify their own spiritual aspirations, and reveal visions and messages about the future.Įvery area of this festive pictorial space is inhabited by lively and quixotic biomorphs, some of which are identifiable while simultaneously being non-representational like the small "cat" in the lower right, standing on its hind legs and leaning forward with outstretched "arms." The juxtaposition between true resemblances evoked and those improbably reconfigured creates a sense of an imagined world, itself evoked by the green globe at center right, populated by dream creatures.To create biomorphic images and textures, artists employed a slew of innovative painting techniques including decalcomania, where a piece of glass or paper was placed over a painted surface then removed grattage in which an object was placed beneath paper and then painted over and frottage, laying paper over an object and then rubbing with charcoal to create an imprint. ![]() A common motif emphasizing this relationship between familiarity and ambiguity was in the visual correspondence between the human body and the natural landscape.
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